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RITA ACKERMANN
The Aesthetic of Disappearance

22.10 2016 – 22.1 2017

Rita Ackermann’s work first appeared on the New York art scene in the early 1990s with her refined yet evocative representations of the female form. Her large paintings of nymphetish girls depicted with lines evoking both beauty and ugliness brought her widespread acclaim and made her a part of the cultural scene of the time. These early works are the point of departure for Ackermann’s recent body of work collectively titled The Chalkboard Paintings.
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